Gloria Lamson
Washington State artist Gloria Lamson has worked in environmental art and
photography in Alaska, Hawaii, Wyoming, Washington, Arizona, and California. Her
work has included wrapping rocks and trees in muslin, activating fire to mark paper
and stone, using flour to reveal wind movements, floating survey tape on water to
register tidal changes, and stringing trees with webs to reveal luminous
connections. For Lamson her studio is "a kind of sanctuary dedicated to the sacred
purpose of bringing spiritual needs and desires into forms that support and nurture
growth of consciousness. It's a place to give form to spiritual intention." Further
describing her work: "Art invites and stimulates awareness, connecting the sacred
and the mundane. It is a vehicle of exploration, a context and tool I use to link
the physical and nonphysical worlds. Using materials found in nature or common
manmade substances, I create temporary, time- and site-specific forms in natural or
architectural environments, and document them with photographs."
To see more work, visit www.artransforms.com and www.greenmuseum.org.
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Fire Figure, Southeast Alaska, 1998. By Gloria Lamson.
"For four summers I have returned to the same remote island in SE Alaska,
uninhabited by humans, to explore art as interaction with nature, time,
place, and self. I have engaged with that environment in temporary
installations activated by elemental forces."
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Time and Tides, 2000. By Gloria Lamson. Installation
series, Hawaii: Elemental interaction, beneath water, survey tape to hole in
stone.
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The Island Project, 1998. By Gloria Lamson. Installation
series, Southeast Alaska: Seaweed hand in scratched doorway.
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Interactions in Time and Place, 2000. By Gloria Lamson.
Installation series, Wyoming: Elemental interaction, floating stones on
broken ice.
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